The United States World War One Centennial Commission has endorsed The World War One Memorial Inventory project. This nationwide inventory seeks to identify, document, and preliminarily assesses the condition of the country's World War I memorials and monuments. The effort is intended to raise public awareness of the presence, and in many cases, sadly, the plight of these historic monuments and memorials, as a necessary first step to ensuring their conservation and preservation. Read more about the World War One Memorial Inventory project in this article by the project's founder, Mark Levitch.
The United States World War One Centennial Commission has endorsed Saving Hallowed Ground, a worldwide organization dedicated to the preservation and protection of monuments and markers, commemorating veterans and patriots where ever they may be found. Saving Hallowed Ground accomplishes this through two steps: (1) Performing conservation and preservation services to the monuments themselves; (2) Engaging school students and communities in researching and learning about the history of their monuments and about the stories behind the names inscribed on these Living History Memorials. Visit the Saving Hallowed Ground website for more information.
 
Nearly rectangular bronze plaque with decorative border (laurel leaves punctuated by flowers). Besides lettering, the plaque contains the logo of the FIDAC at top and of Culver Academy (bottom)
The Legion War Memorial Building was a monumental structure with a monumental mission when it was completed and dedicated: to stand as a memorial to war veterans -- both alive and fallen -- from Culver's ranks. Famous for its Gold Star at the entrance and its classical, exquisite architecture, the memorial building, of course, still stands today. The site features an imposing three-floor memorial building with a Gold Star room, Gold Stars on exterior, and a plaque in honor of those Culver academy students (unnamed) killed in the war from the Federation Interalliee des Anciens Combattants at the base of the staircase (presented and dated October 23, 1922).
The Willmar Auditorium built by WPA is one of the most handsome auditoriums in Minnesota. It has two stories and a basement. In some sections of the building it has a third story. It was built at a cost of $160,000. The building has a concrete foundation, reinforced concrete slabs, steel roof trusses, and a wood roof. The walls are of brick with stone trim. The sculpture over the entrance was done by the Federal Art Project. The basement accommodates a band room, dressing rooms, showers, and mechanical equipment rooms. On the first floor are the auditorium, stage, and kitchen and war memorial room. The second floor has meeting rooms and a projection room.
PWA Moderne realized primarily through a pattern of contrasting stone
inlaid in the brick walls. Over the entrance are three relief panels in stone depicting the glories of agriculture, government, and transportation.
The Willmar War Memorial Auditorium features engraved stones from each state to honor Minnesota veterans. It was built between 1935 and 1938.
The Memorial Building is a two-story Neoclassical structure built of concrete in a pentagonal shape. The first floor is raised, providing light to the basement level. The two front facades are faced in grey terra cotta and coursed stone, while the remaining elevations are faced with brick. The heavy bronze door entrances are approached with wide granite steps and are flanked by Ionic columns. Above each entrance, clocks are inset into the terra cotta. A balustrade runs around the roof edge. Multipaned windows separated by pilasters and topped with arches run around the first floor, and rectangular windows with architrave trim are used on the second.
The Kimball World War Memorial was the first memorial built in the United States to honor African-American veterans of World War I. The Classical Revival style building, designed by noted West Virginia architect Hassel T. Hicks of Welch, was completed in 1928 and listed on the National Register of Historic Places in 1993. The War Memorial became the headquarters of the nation’s first all-black American Legion Post and hosted some of the state’s first NAACP meetings.
Unknown today by many Americans, over 400,000 African Americans volunteered to serve in combat during the Great War. 50,000 of these soldiers actually served overseas -- one-third of the total U.S. fighting forces -- and 1,500 of these came from McDowell County. While discriminatory military practices were still prevalent, when allowed to fight these black soldiers did so with honor, demonstrating their valor in combat with French forces at the Battles of Argonne, Chateau Thierry, St. Mihies, Champagne, Vosges, and Metz. One-hundred-and-seventy-one (171) were awarded the Croix de Guerre for “gallantry in action”. Thirteen hundred (1,300) were eventually commissioned as officers in the U.S. Military for their service during World War I.
The War Memorial was designed in the classical Greek style by Hassell T. Hicks, a noted Welch architect, also a World War I veteran, and was dedicated on February 11, 1928. Originally the building housed an auditorium with a small stage, a library, meeting rooms, kitchen facilities, a billiard room and a trophy room, with displays of plaques dedicated to veterans, and wartime memorabilia. It was a multi-purpose facility, hosting such diverse activities as American Legion meetings, high school proms, wedding receptions, and performances by Cab Calloway and other well-known entertainers of the day.
The Kimball War Memorial was a focal point of community life for decades, serving as a cultural and social center for all residents of McDowell County.
Over time, deterioration, abandonment and finally a fire in 1991 crippled the beautiful structure, leaving only its exterior shell.
For over 30 years, a group of citizens had been pursuing the dream of restoring the Memorial to its former glory. With the financial and other support of many, the dream became a reality. The memorial was the recipient of a 2007 Honor Award presented by the West Virginia Chapter of the America Institute of Architects and was also featured in the National Trust for Historic Preservation’s forum as a Preservation Solution. The Memorial was also honored in 2006 with a Congressional Black Caucus Veterans Braintrust Award.
Presently, The Kimball World War Memorial was serves as a living community resource and is available for a wide variety of functions, including tours, training sessions, classes, organizational meetings, organizational dinners, receptions and other social events.
The two-story, light-brick building stands on a sturdy cut-stone foundation. Its plan is a rectangular box with a small entrance vestibule on the east side. The facade faces south and displays a monumental classical portico centered in the middle. Four terra cotta columns stand on brick bases and support a tall terra cotta entablature. Laurel reliefs decorate the frieze section over each column. A band of dentils extends across the portico just under the cornice. Historic photographs of the building reveal a terra cotta extension over the entablature that held the words "World War Memorial". This section of the entablature has crumbled and no longer displays the building's name. A simple terra cotta parapet at the roofline flanks the centered portico and extends along the other two sides of the building.
Three pairs of door openings stand between the columns and open onto a shallow balcony, each separated by the columns' brick bases. The original doors were wood-framed, multi-paned double doors with metal-framed transoms. On the second level centered over each doorway are tall, metal-framed multi-paned windows in arched openings. flanking the portico are single multi-paned windows on each level.
The Memorial Building's main entrance stands on the east side behind an entrance vestibule that has an arched opening. Concrete stairs with wrought iron railings ascend from the street level to the entrance. An arched window identical to the windows on the facade is located directly above the entrance. The rear of the building holds two second-level doorways that open at ground level to the steep grade behind. The building's west side simply has a narrow chimney and two windows on each level.
The history of the Memorial Branch Library began in 1923, seven years before the building opened. That year, the land on which the library now stands was purchased by the student body and alumni association of Los Angeles High School, and deeded to the City of Los Angeles in commemoration of twenty alumni who died in World War I. Six years later, the city gave the Los Angeles Public Library the right to establish a branch on the site.
The library formally opened on April 29, 1930. The architectural firm Austin and Ashley designed the building in a picturesque English Tudor style to harmonize with the high school building across Olympic Boulevard, which they also designed. The students of Los Angeles High School commissioned a stained glass window with the names of the twenty alumni and an inscription stating hope for “peace among nations.” The window, designed by the renowned Judson Art Studio, was inspired by those in the Parliament Building of London and was installed in the adult reading room.
On the memorial stained glass windows:
"The symbols and insignia are shown as decoration on the shields and in the top row of windows represent the various armed forces -- the Infantry, Field Artillery, Navy, Marine Corps, Engineers and Aviation.
In the second row of windows the tower of the old L.A. High School, the seal of the city of L.A., the coat of arms of the United States, the California state flag, the coat of arms of the L.A. High School, and the tower of the present L.A. High school building are represented.
The lower row of light (two center panels) have the memorial tablets giving the names of the alumni who died in the service. The shields on either side carry the emblem of ""Sacrifice,"" pictured by the legend of the Pelican in Piety, and on either end is an heraldic arrangement of the poem ""In Flanders Field.""
Across the base of the window is the inscrIption ""Dedicated to the Alumni of the Los Angeles High School who died in the World War. 1914—1918. May the sacrifice of these lives contribute to the establishment of peace among nations.”
Dedicated May 30, 1928. A goldfish pond that was once at the base is now filled in and planted with flowers. A machine gun was originally mounted on the raised part of the base between the two figures. Its disappearance has been the subject of news articles containing speculations about when it vanished. While it was missing in a 1997 picture that appeared in the Daily Miner, it was reported as being present at the time of a 1993 survey of outdoor sculptures.
The color picture at the left above is included to show more details of the sailor, who appears to be standing on a dock by a rope enwrapped stanchion (between his feet) as he waves his small round cap at some offshore object. Other metal "Spirit of the American Navy" sculptures accompany Doughboys at Clearwater, Florida; Naperville, Illinois; Fort Wayne, Indiana; Granite and Hobart, Oklahoma; and a stone version at Crowell, Texas. A similar Viquesney tribute to the Navy, titled "Sailor", occurs at Palatka, Florida.
Kingman, Arizona is the only known location where two Viquesney statues occur on the same pedestal (Fort Worth, Texas has a Viquesney Doughboy and a WWII G.I. on the same base, but the latter is by a different sculptor, Giordano Grassi, and was placed in 1980).
Photo credit: https://www.hmdb.org/marker.asp?marker=29398
Description credit: http://doughboysearcher.weebly.com/kingman-arizona.html
This memorial was dedicated July 10, 1927, sponsored by the Phillips County Memorial Association, the 7-Generals Chapter of the UDC, and the City of Helena. It is a E.M. Viquesney-designed doughboy, depicting a WWI infantryman advancing through the stumps and barbed wire of No Man's Land, holding a broken rifle and grenade. The Helena Doughboy is one of only two specifically designated Viquesney Doughboys on the National Register of Historic Places. The other is at Fort Smith, Arkansas.
Front: (Names of 590 men are listed in 9 columns.)
Rear: To The Dead / of the / 307th Infantry A.E.F / 590 Officers and Men / 1917-1919 /
1914 - ROLL OF HONOR - 1919
IN HONOR OF THE MEN OF HOLLIS
WHO SERVED IN THE GREAT WORLD WAR
UNITED STATES ARMY
B.T. ABRAMS --- H.E. GRIMSHAW --- H.H. PLIMPTON
P.C. ALBEE --- A.T. GRINYER --- R.A.PLIMPTON
J.B. ALLISON --- H.W.GRINYER --- W.M. PRIMONT
H.D. ALLISON --- A.F.GRUNENTHAL --- M.J. REMSEN
E.P. ARMSTRONG --- C.C. GRUNENTHAL --- R. REMSEN
R.S.H. BALDWIN --- B.B. HALLECK --- H.B. RUPP
F.A. BATES --- H.W. HEINS --- W.H. RUPP
J. BEBELL --- C. HOOPER --- F.W. SCHEIDENHEIM
W.F. BEBELL --- F. HOOPER --- G.P. SCOTT
W. BEHRMAN --- E.E. JACKSON --- C. SJOBERG
M. BOLLING --- W.C. JOHNSON --- C.J. SOLAN
R. BRISTOL
K.O. KLAESSIG --- H. SPOONER
W.H. BRODE --- A.F. KOLM --- W.L. STEIN
G.K. BRUNER --- FLORENCE L. LENOX ---N. STOUTENBURGH
R.V. BUCHER --- MARGARET I. STRACHAN --- P. STOUTENBURGH
W.J. BULGER --- J.J. MCDONNELL --- J.F. SYLVESTER
D.L. CANTOR --- D.B. MCGOLDRICK --- O.C. TRAPPE
W. CHROSTOWSKI --- E.A. MCGUIRE, JR. --- M.D. UTER
J.W. CLERKE --- W. MCLAUGHLIN --- J. VANDERPOOL
W.B.COLYER --- S.R. MALLETT --- A.D. VANSICLEN
B. COTTON --- D.T. MARSHALL --- C.D. VANSICLEN
R.V. CROKER --- J.T. MARSHALL --- H.R. VANSICLEN
L.L. DAVIS --- W.P. MARSHALL --- C.A. WARDLOW
R.H. FELTNER --- H.F. MERRITT --- A. WATHERSTON
W.P. FISCHER --- A. MIGLENO --- R.D. WHITE JR.
J. FITZGIBBONS --- B. NEISLOSS --- V.R. WHITE
H.O. FORWARD --- A.F. NERGER --- C.P. WILLIAMS
F. GLASER --- T. O'CALLAGHAN --- E.G. WILLIAMS
W.W. GOETZ --- J.D. OUCHTERLONEY --- F.A. WILLIAMS
C. GREGORIUS --- J.H. PHILLIPS --- J.J. WILLIAMS
T. WISNER --- G.R. WOOD
UNITED STATES NAVY
LILLIAN I. BULGER --- W.F. BUCKNER, JR. --- J. KEENAN
EDITH H. CROKER --- H.G. COLYER --- A. LYNCH
ETHEL L. FARNER --- C.E. CRAWFORD --- C.B. MALOY
H.W.R. BAUER --- B.B. DUBOCQ --- W.F. MULLER
J.H. BEDFORD --- J. GILL --- G. SUMNER
E. BENYON --- W.A. HARGRAVE --- T.G. SWEET
W.B. BORSDORF --- F.W. HASSLER --- E.S. TABER
W.J. BROWN --- L. JENSEN --- E.C. THOMSEN
M.C. VANDINE --- P. WOODS
UNITED STATES MARINE CORPS
A. E. FLEISCHAUER --- H.C. GREGORIUS --- J.H. SWEET
ALLIED FOREIGN SERVICE
B.V. MCGUIRE, FOREIGN LEGION --- G.V. TONNER, CANADIAN FORCES
OVERSEAS SERVICE
B.F. PLIMPTON, RED CROSS --- BESSIE PLIMPTON, Y.M.C.A.
P.A. MCGUIRE, Y.M.C.A.
IN MEMORY OF THE FOLLOWING MEN
WHO MADE THE SUPREME SACRIFICE
FRANK LESTER ALEXANDER --- GEORGE GARFIELD GOETZ --- THOMAS MASON WHEELER
ERECTED / IN MEMORY OF / JOSEPH H. LYONS / BORN NOV. 13, 1891 DIED
DEC. 12, 1934
A GALLANT SOLDIER / IN THE WORLD WAR / 1917-1918/
A CIVIC MINDED CITIZEN / BELOVED BY ALL WHO KNEW HIM / PRO PATRIA/
DEDICATED BY / JAMES S. SLOSSON POST / AMERICAN LEGION / MAY 28,
1938/
In memory of the Lost Battalion. Built A.D. 1938 by Work Projects Administration. George U. Harvey Borough President of Queens.
Side 1: Erected in memory of those who died in the service of their country in the world war.
Side 2: Martin Beifus / Peter Cheslock / Harry Daly / Louis Engesser / Thomas Erb / William Foyle / Walter A. Garlinge / Anton Kiley / Frank Kowalinski / Edward Lachance / Boleslaw Wieniewski / Michael J. Imperial
Side 3: Roy Mcneil / Charles Miller / Anthony Nowak / Louis Roscoe / Frederick Scholze / Stephen Shaddock / Louis Serlin / Frank Schlereth / William Stenchever / Leo Stancievitch / Harvey Thorn / Otto Windhorst
Honor roll: Lt. Henry J. Duff --- Corp. Oscar Gardenas --- Ens. Edw. Fitzgerald --- Copr. John J. Farrell --- Ens. Sidney J. Kelly --- Corp. Ralph de Flora --- Sgt. Vincent Aitken --- Corp. Oscar E. Fleury --- Sgt. Thos. Campbell --- Corp. Tohs. Harrington --- Sgt. Edward Messer --- Corp. John. A Kiernan --- Sgt. Otto Schindler --- Corp. Geo. Micholoski --- Sgt. Wm. V. Storch --- Corp. James OConnor --- Frederick I. Allard --- Joseph P. Griffin --- John Arcomano --- Antonio Guarino --- Charles I. Ash --- Jos. A. Guglulino --- Arthur Campbell --- Clarence F. Harris --- Francis J. Carr --- Sidney W. Harris --- Patrick Corcoran --- Michael Haley --- Peter J. Crimmins --- Edward H. Hernon --- Harry M. Gundy --- Frank J. Holahan --- George P. Davis --- Thomas Kelly --- Harry Eubanks --- Patrick Jos. Kane --- Thos. M. Gaffney --- Albert J. Kern --- Thomas K. Gilroy --- Willim E. Lannan ---Benjamin Green --- Richard Mcgeehan
Front: In loving memory of those men of this district who in the war of 1917 and 1918 fought and died for freedom. Their neighbors through the Seawanhaka Democratic Club erect this monument AD MDCCCCXIX.
Back: Bernard McGonigle --- Stephen Reardon --- James D. Mckeever --- Frank Reno --- John McLoughlin --- Harold A. Roth --- Thos. J. McLoughlin --- Ferd. Santarpia --- Attilio Manfredi --- William B. Sarlo --- Jack L. Martin --- Dennis P. Sheehan --- Antonio Massoni --- Simon Stewart --- Joseph A. Mernah --- Thomas I. Stoney --- Edward Morrissey --- Alfred J. Sullivan --- John J. O'Rourke --- Joseph Wallace --- Julio Pereira --- John E. White --- Chas. E. Reardon --- Jospeh Yantorno --- William F. Devine
"LEST WE FORGET" / ERECTED IN MEMORY / OF THE / VETERANS OF BORO PARK / WHO MADE THE / SUPREME SACRIFICE / DEDICATED BY / PVT. BUD H. ALBEN POST / NO. 1436 / VETERANS OF FOREIGN WARS / OF THE UNITED STATES / 1935 /
ERECTED BY / THE CITIZENS OF / LAUREL HILL / IN MEMORY OF / THOSE WHO DIED IN / THE WORLD WAR / I - II / KOREA AND VIETNAM /
GREATER LOVE HATH NO MAN THAN THIS THAT / A MAN LAY DOWN HIS LIFE FOR HIS FRIENDS /---/ ERECTED 1926 BY THE PEOPLE OF LONG ISLAND CITY / IN HONOR OF ALL THEIR FELLOW CITIZENS WHO SERVED IN THE WORLD WAR 1914-1918
PLANTED BY / 159 MEMBERS OF THE YOUNG / AUSTRALIA LEAGUE, / AS AN AUSTRALIAN TRIBUTE / TO AMERICA'S GLORIOUS DEAD, / MARCH 14, 1929 /
ERECTED BY THE / CITIZENS OF THIS COMMVNITY / IN GRATEFVL MEMORY / OF THE MEN OF THIS VICINITY / WHO SERVED IN / THE WORLD WAR / 1917-1918 / DEDICATED SEPT. 5, 1921 /